The Shaggs philosophy of the world (1969)note: can't believe this made it on a record, but you could view them as the godmothers of lowfi music, dissonances in pop music, the inspiration that get sonic youth to what they are now
The Shaggs were an American all-female rock group formed in Fremont, New Hampshire in 1968. The band was composed of sisters Dorothy "Dot" Wiggin (vocals/lead guitar), Betty Wiggin (vocals/rhythm guitar), Helen Wiggin (drums), and later Rachel Wiggin (bass). The Shaggs were formed in 1968 on the insistence of their father, Austin Wiggin, who believed that his mother foresaw the band's rise to stardom. The band's only studio album, Philosophy of the World, was released in 1969. The album failed to garner attention, though the band continued to exist as a locally popular live act. The Shaggs disbanded in 1975.
listen:
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wikipediaNaked City torture garden (1989)
With showing the cover of the actual "torture garden" record I would violate some forum rules, so the cover shown is of the album "Leng Tch'e (1992)".
Naked City was an avant-garde music group led by saxophonist and composer John Zorn. Active primarily in New York City from 1988 to 1993, Naked City was initiated by Zorn as a "composition workshop" [1] to test the limits of composition (and improvisation) in a traditional rock band lineup. Its music incorporated recognizable elements of jazz, grindcore, surf, classical, heavy metal, country music, punk rock and dozens of other genres.
listen:
myspaceabout:
wikipediaEver believed you could put this many songs on one album? 
Track listing
1. "Blood Is Thin"
2. "Demon Sanctuary"
3. "Thrash Jazz Assassin"
4. "Dead Spot"
5. "Bonehead"
6. "Speedball"
7. "Blood Duster"
8. "Pile Driver"
9. "Shangkuan Ling-Feng"
10. "Numbskull"
11. "Perfume of a Critic's Burning Flesh"
12. "Jazz Snob Eat Shit"
13. "The Prestigitator"
14. "No Reason To Believe"
15. "Hellraiser"
16. "Torture Garden"
17. "Slan"
18. "Hammerhead"
19. "The Ways of Pain"
20. "The Noose"
21. "Sack of Shit"
22. "Blunt Instrument"
23. "Osaka Bondage"
24. "Igneous Ejaculation"
25. "Shallow Grave"
26. "Ujaku"
27. "Kaoru"
28. "Dead Dread"
29. "Billy Liar"
30. "Victims of Torture"
31. "Speedfreaks"
32. "New Jersey Scum Swamp"
33. "S & M Sniper"
34. "Pigfucker"
35. "Cairo Chop Shop"
36. "Fuck the Facts"
37. "Obeah Man"
38. "Facelifter"
39. "N.Y. Flat Top Box"
40. "Whiplash"
41. "The Blade"
42. "Gob of Spit"
Shellac terraform (1998)note: this is prolly next to the Pixies the only rock band i like.
The great thing about shellac is their sound. Steve Albini, more known as a producer, has developed his own way for miking amplifiers and drums.
This is something you can hear for example on Nirvanas "In Utero", and ofcourse in the productions of his own band Shellac.
Shellac is an American rock group composed of Steve Albini (guitar and vocals), Bob Weston (bass guitar and vocals) and Todd Trainer (drums and vocals).
Although they have been classified as noise rock and math rock, they describe themselves as a "minimalist rock trio".
listen:
myspaceColtrane impressionsnote: The track India is what got me into free jazz.
with John Coltrane, Jimmy Garrison, McCoy Tyner, Elvin Jones, Roy Haynes, Eric Dolphy and Reggie Workman
1. India - (live)
2. Up 'Gainst the Wall
3. Impressions - (live)
4. After the Rain
Ornette Coleman The Shape of Jazz to Come (1959)
The Shape of Jazz to Come is an influential album by Ornette Coleman. It was his debut album for Atlantic Records, who released it in late 1959.
The Shape of Jazz to Come was one of the first avant-garde jazz albums ever recorded. It was recorded in 1959 by Coleman's piano-less quartet. The album was considered shocking at the time, because it had no recognizable chord structure and included simultaneous improvisation by the performers in a much freer style than previously in jazz.
read:
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lonely womanTaku Sugimoto Guitar QuartettNote: the thing that got me into reductionist music
taku sugimoto - guitar
tetuzi akiyama - guitar
yoshihide otomo - guitar
toshimaru nakamura - guitar
read:
bagatellen reviewFred Frith step across the bordernote: this got me into free improvisation
Radian juxtaposition (2004)note: maybe the only thing i like from austria 
Martin Brandlmayr - drums, vibraphone, sampler & sequencer
Stefan Németh - modular synths, guitar
John Norman - bass
listen & read:
radian.atEDIT: fixed spelling
